Lobato's fictional genesis

the representation of nature

Authors

DOI:

https://doi.org/10.21680/1983-2435.2022v7n2ID29760

Keywords:

Monteiro Lobato, O macaco que se fez homem, Era no paraíso, Ecocriticism

Abstract

The short story “Era no Paraíso...” (1923), by Monteiro Lobato, is constructed as a parody of the biblical Genesis. Influenced by Darwinian theory, the narrator shows us the development of beings, especially human beings, as a “descend with modifications”, which explains their behavior in the face of life issues and, therefore, of nature. In the tale, the reaction of nature, which only occurs as a projection into the future, is closely linked to human actions; what was previously represented in a harmonious way is drastically transformed, thanks to the so-called 'progress' of humanity, in an apocalyptic scenario. In dialogue with texts by Darwin and Benjamin, the present reading privileges the analysis of the way in which the Lobatian text represents nature, adopting, in this investigation, an ecocritical bias.

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Author Biography

Vanessa Hey, Universidade Federal do Paraná

Formada em Letras Português/Inglês pela Universidade Federal do Paraná (UFPR). Tem experiência na área de Educação, já tendo trabalhado também com tradução e editoração. Atualmente, vinculada ao programa de Pós-graduação da mesma instituição, realiza o doutorado com ênfase em Estudos Literários, seguindo a linha de pesquisa: literatura, história e crítica. Desenvolve pesquisa sobre a modernidade, o Modernismo e a modernização na obra de Monteiro Lobato, Franz Kafka e Érico Verissimo.

Published

30-12-2022

How to Cite

HEY, V. Lobato’s fictional genesis: the representation of nature. Odisseia, [S. l.], v. 7, n. 2, p. 132–147, 2022. DOI: 10.21680/1983-2435.2022v7n2ID29760. Disponível em: https://periodicos.ufrn.br/odisseia/article/view/29760. Acesso em: 17 may. 2024.