In search of an editing script: dismantling the ethnographic experience

A DESMONTAGEM DA EXPERIÊNCIA ETNOGRÁFICA

Abstract

In this article I seek to discuss the reassemblage of the ethnographic film and its opening in the form of Installation. The research carried out with the Avá Guarani from the transnational banks of the Paraná River tells a story of territorial chaos that is faced by Guarani cosmopolitics. Learning to see with the Guarani people is the learning challenge that the expanded ethnographic experience provides for the public. I dialogue with the theories of the passage between representative form and an aesthetic regime of the arts (Rancière), thinking about disassembly with Didi-Huberman's Benjaminian approach.