O som e a carícia

proposta para uma história do canto enquanto prazer na Igreja do Ocidente medieval (séculos IX A XII)

Authors

  • Leonardo Carneiro Ventura

Keywords:

music, space, pleasures, Crurch

Abstract

This article turns to the relationship between music and the body and between music and the space in the medieval period. It is suggested here the outline for a history research project that addresses the medieval liturgical chant - the plainchant – as, at the same time, product and producer of the double relation of man to the sacred and the man with the body. To do so, it elects a few moments in the unfolding of Christian musical production of the medieval west, concentrating its approach between centuries IX and XI. This time-space cutting has enabled the emergence of questions about the presence of aesthetic pleasure in the territory of senses’ prohibition that was intended to be the Church.

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Author Biography

Leonardo Carneiro Ventura

Bacharel em música pela Escola de Música da Universidade Federal do Rio Grande do Norte e mestre em história pela mesma universidade.

Additional Files

Published

24-12-2012

How to Cite

VENTURA, L. C. O som e a carícia: proposta para uma história do canto enquanto prazer na Igreja do Ocidente medieval (séculos IX A XII). Espacialidades Journal, [S. l.], v. 5, n. 04, p. 130–149, 2012. Disponível em: https://periodicos.ufrn.br/espacialidades/article/view/17756. Acesso em: 22 jul. 2024.

Issue

Vol. 5 No. 04 (2012): Espaços do prazer, prazeres no espaço

Section

Dossier

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