The construction of space and sound memory in the city of Sobral and the drought of 1877-1878 in Luzia-Homem

Authors

  • Débora Maria Martins Braga Universidade Estadual Vale do Acaraú

DOI:

https://doi.org/10.21680/1984-817X.2020v16n2ID20273

Keywords:

History, Sonorities, Literature, Memory, Sobral

Abstract

The present article seeks to analyze the process of construction of the sound memory of the period of the great drought in the city of Sobral between 1877 until 1878 having as object of analysis the naturalist-regionalist novel Luzia-Homem de Domingos Olímpio, from this we will analyze the relationship between the concepts of sonority, literature, history and memory. The sound memory is seen as a space of totality of sounds that make up reality, loaded with multiciltural and identity meanings shared by the group; in this sense, we see the city space as a practiced and dynamic space. The authors that support our considerations are: Schafer (2001), Chartier (2009), Pesavento (2005), Melo (2017), Lefebvre (2000) and Ricoeur (2007).

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Author Biography

Débora Maria Martins Braga, Universidade Estadual Vale do Acaraú

Graduada em História pela Universidade Estadual Vale do Acaraú. Currículo Lattes: http://lattes.cnpq.br/8092203502415441. E-mail: deboramaria30@hotmail.com

 

Additional Files

Published

18-07-2020

How to Cite

MARTINS BRAGA, D. M. The construction of space and sound memory in the city of Sobral and the drought of 1877-1878 in Luzia-Homem. Espacialidades Journal, [S. l.], v. 16, n. 2, p. 96–121, 2020. DOI: 10.21680/1984-817X.2020v16n2ID20273. Disponível em: https://periodicos.ufrn.br/espacialidades/article/view/20273. Acesso em: 22 nov. 2024.

Issue

Vol. 16 No. 2 (2020): Topos and Trope: The production of space in literary narrative

Section

Dossier

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