Iconography in the Age of Mechanical Reproduction

Authors

  • Paul Taylor University of London

DOI:

https://doi.org/10.36025/arj.v9i1.29648

Keywords:

Benjamin, Casablanca, Iconography, Mechanical reproduction

Abstract

Benjamin's era of mechanical reproduction may not have diminished the aura of art works as he thought, but it has had an impact on the structure of iconography. Now that images can be reproduced so easily by mechanical means, iconographies no longer need to be reinvented over and again by artists. At the same time, the sheer size and diversity of iconographic output means that fewer visual themes are held in common by viewers of images.

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Author Biography

Paul Taylor, University of London

Paul Taylor (PhD) is Curator of the Photographic Collection at the Warburg Institute, University of London. He is the author of Dutch Flower Painting, 1600-1720 and Condition: the Ageing of Art, as well as numerous articles on early modern art theory and iconography. He is currently writing a book called How Images Mean.

References

BENJAMIN, Walter. ‘Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit’, in Gesammelte Schriften, vol. 1, part 2, Frankfurt am Main: Suhrkamp, 1980, pp. 471-508 (477).

CARAFFA, Costanza (ed.), Photo Archives and the Photographic Memory of Art History, Deutsche Kunstverlag, Berlin, 2011.

EBERT, Roger. Review of Gus van Sant’s film Psycho. https://www.rogerebert.com/reviews/psycho-1998

ECO, Umberto. ‘Casablanca: Cult Movies and Intertextual Collage’, SubStance 47 (1985), 3-12 (3).

ELSNER, Jaś; HILLS-NOVA, Clare (eds). ‘Exiles and Emigrés, Libraries and Image Collections: the Intellectual Legacy’, Art Libraries Journal, 38/4 (2013).

FRANCESCHINI, Chiara; Katia Mazzucco (eds). ‘Photographic Collections and Theories of Thematic Ordering’, Visual Resources, 30/3 (2014).

FREEDMAN, Luba. ‘Apollo and Daphne by Antonio del Pollaiuolo and the poetry of Lorenzo de’ Medici’, MAAR (Memoirs of the American Academy in Rome) 56/57, 2011/12, pp. 213-242.

HARMETZ, Aljean. The Making of Casablanca: Bogart, Bergman and World War II, New York: Hyperion, 2002.

McGRATH, Elizabeth, Rubens: Subjects from History, London: Harvey Miller, 1997, pp. 33-54.

UNIVERSAL CITY STUDIOS v. FILM VENTURES INTERN., 543 F. Supp. 1134 (C.D. Cal. 1982). (https://law.justia.com/cases/federal/district-courts/FSupp/543/1134/1460974/).

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Published

28-07-2022

How to Cite

TAYLOR, P. Iconography in the Age of Mechanical Reproduction. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 9, n. 1, 2022. DOI: 10.36025/arj.v9i1.29648. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/29648. Acesso em: 21 nov. 2024.

Issue

Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires

Section

Variations on the Warburgian

License

Copyright (c) 2022 Paul Taylor (Autor)

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Creative Commons License
This work is licensed under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License. 
Authors retain copyright, while licensing their work under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License.