Memories of the Future: The use of archive material in contemporary art

Authors

  • Priscila Arantes

DOI:

https://doi.org/10.36025/arj.v1i1.5279

Abstract

This lecture, from the example of the contemporary artists who work with archival materials and documents, has been mooted on how artists have revisited the past in order to build new and different narratives about history.

Keywords: contemporary art, history, archive.

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Author Biography

Priscila Arantes

Priscila Arantes is critic, curator, and researcher in the field of Contemporary Art and cultural manager. She graduated in Philosophy from the University of São Paulo; has Master’s and Doctor’s degrees in Communication and Semiotics from the Catholic University of São Paulo (PUC/SP); and was a Post-doctoral fellow at Pennsylvania State University (USA) and UNICAMP. She is undergraduate and graduate lecturer in PUC-SP since 2002, working in the following courses: Art: History, Criticism and Curatorship; Technology and Digital Media; and Corporeal Arts. She is director and curator of the Palace of Arts, the institution of the Secretary of State for Culture since 2007, and, between 2007 and 2011, was deputy director of MIS (Museum of Image and Sound).

References

ARANTES, Priscila. Arte e Mídia: perspectivas da estética digital. São Paulo: Editora Senac/SP, 2005.

ARANTES, Priscila. Diálogos entre Vilém Flusser e Fred Forest. Flusser Studies 08 – May 2009. Versões em português e inglês disponíveis em http://www.flusserstudies.net/archive/flusser-studies-08-%E2%80%93-may-2009. Acesso em: 04 mai. 2014.

ARANTES. Priscila. Crossing [Travessias]. Org. e curadoria. São Paulo: Imesp, 2010.

ARANTES, Priscila. Livro/Acervo (Org). São Paulo: Imesp, 2010.

BELTING, Hans. O fim da história da arte: uma revisão dez anos depois. São Paulo: Cosac Naify, 2006.

BENJAMIN, Walter. Magia e Técnica, Arte e Política. Obras escolhidas. Trad.Sérgio Paulo Rouanet. V.1, 6ª ed. São Paulo: Brasiliense, 1993.

COSTA, Luiz Claudio da. Registro e arquivo na arte: disponiblidade, modos e transferências fantasmática de escrituras. Anais do 17° Encontro Nacional da ANPAP, p. 388-397, 2008. Disponível em: http://www.anpap.org.br/anais/2008/artigos/037.pdf Acesso em: 04 mai. 2014.

DANTO, Arthur. Após o fim da arte: a arte contemporânea e os limites da história. São Paulo: Odyssens Editora, 2006.

DERRIDA, Jacques. Mal de arquivo: uma impressão freudiana. São Paulo: Relume Dumará, 2005.

FREIRE, Cristina; LONGINA, Ana (Org). Conceitualismos do Sul/Sur. São Paulo: Annablume, USP.MAC-AECID, 2009.

FREIRE, Cristina. Arte Conceitual. Rio de Janeiro: Jorge Zahar, 2006.

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How to Cite

ARANTES, P. Memories of the Future: The use of archive material in contemporary art. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 1, n. 1, p. 110–119, 2014. DOI: 10.36025/arj.v1i1.5279. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/5279. Acesso em: 31 aug. 2024.

Issue

Vol. 1 No. 1 (2014): The Concept of Research in the Arts

Section

Research on Arts

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