Still Life and the NonPhilosophical Stone

Authors

  • Matteo Bonfitto Universidade Estadual de Campinas – UNICAMP

DOI:

https://doi.org/10.36025/arj.v3i1.8505

Keywords:

Theater, Nonphilosophy, expanded field, experience, liminarity

Abstract

This essay seeks to establish a dia/logos a kind of spectatorparticipant diary with the production Still Life, directed by the Greek choreographer Dimitris Papaioannou. Through this dia/logos which took place between an artistic material and a processual observer innumerous knowledges and points of view are explored. As a result of this process, the phenomenon approached took on a specific catalyzing effect generating tension and significations, thus delineating a possible expanded field.

English version: Leslie Damasceno.

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Author Biography

Matteo Bonfitto, Universidade Estadual de Campinas – UNICAMP

Matteo Bonfitto, actorperformer, director, researcher in the area of Scenic Arts, is a professor of acting at the Drama Department  Arts Institute, UNICAMP (Depto de Artes Cênicas da Unicamp). Besides acting in performances and theatre productions in Brazil as well as in other countries, he is author of books and articles about the acting processes of the actorperformer and a member of Performa Teatro – Artistic Collective  (www.performateatro.org).

References

ARENDT, Hannah. A Condição Humana. São Paulo: Editora Forense Universitária, 2014.

BADIOU, Alain. Being and Event. London: Continuum, 2006.

CAMUS, Albert. O Mito de Sísifo. Rio de Janeiro: Grupo Editorial Record, Edições Bestbolso.

FISCHER-LICHTE, Erika. The Transformative Power of Performance. London and New York: Rutledge, 2008.

HADOT, Pierre. Exercices spirituels et philosophie antique. Paris: Etudes augustiniennes, 1981;

HADOT, Pierre. Philosophy as a Way of Life. Spiritual Exercises from Socrates to Foucault. Oxford: Blackwell's, 1995.

KUHN, Thomas. A Estrutura das Revoluções Científicas. São Paulo: Perspectiva, 2004.

LARRUELLE, François. Dictionnaire de la NonPhilosophie. Paris: Editions Kime, 1998.

Audiovisual material

http://www.dimitrispapaioannou.com

http://vimeo.com/99475998 Código: stilllife

https://vimeo.com/papaioannou

https://www.facebook.com/papaioannou.page

https://www.youtube.com/watch?v=Yj9cuCEfZeY

https://www.youtube.com/watch?v=ZEawDqo8UE

https://www.youtube.com/watch?v=WOkPoGqPHaQ

https://www.youtube.com/watch?v=iy8gkAJGxOU

Interviews and online materials

http://www.elculture.gr/en/article/dimitrispapaioannoutravelsbeyondthegreekboarders/

http://www.theatredelavilleparis.com/spectacledimitrispapaioannoustilllife952

http://www.dansercanalhistorique.fr/?q=content%2Fstilllifededimitrispapaioannou

http://www.fundacionteatroamil.cl/noticia/santiagoamilpresentaraaporprimeravezenchileadimitrispapaioanno

http://www.lemonde.fr/culture/article/2015/10/14/dimitrispapaioannoufaitpartirsisypheenfumee_4789210_3246.html

http://www.delteatro.it/2015/10/05/inpapaioannourivivelutopiadelbelloebuono/

http://corrieredelveneto.corriere.it/veneto/notizie/cultura_e_tempolibero/2015/3ottobre2015/corpinudiscenairruzioni2302000366647.shtml?refresh_cecp

http://www.ilgiornaledivicenza.it/home/spettacoli/lironiaclassicadiprimalmatterbrunadanzatracontrastierisate1.3398113

https://www.facebook.com/notes/dimitrispapaioannou/stilllifereviewbymichelinebservinforlestempsmodernes/971388659607409

http://www.ekathimerini.com/160140/article/ekathimerini/life/dimitrispapaioannouspersonalroadtomaturity

http://www.eu2003.gr/en/articles/2003/6/3/2971/

http://thestimuleye.com/2011/03/17/dimtrispapaioannouspatialandhumanrelationships2/

http://cocteldemente.com/forpinanowhere2009dedimitrispapaioannou/

http://clowntube.tv/pt/dimitrispapaioannouningunaparte/

http://www.panoramagriego.gr/2014/05/stilllife.html

http://www.franceculture.fr/evenementstilllifedimitrispapaioannou

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Published

17-05-2016

How to Cite

BONFITTO, M. Still Life and the NonPhilosophical Stone. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 3, n. 1, p. 158–170, 2016. DOI: 10.36025/arj.v3i1.8505. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/8505. Acesso em: 5 jul. 2024.