Ressonância na dança: A arte de mesclar corpos

Autores

  • Edward C. Warburton University of California, Santa Cruz

DOI:

https://doi.org/10.36025/arj.v3i2.10755

Palavras-chave:

Dança, Cognição, Correspondência eu-outro, Mesclagem conceitual

Resumo

Na dança, “ressonância” descreve um sentido compartilhado de energia, ritmo, fluência e coerência. Coreógrafos e dançarinos buscam ressonância para criar e dançar. Teorizo que a ressonância é um tipo de cognição social humana no contexto da correspondência eu-outro, definida como qualquer fenômeno no qual a observação do comportamento ou estado do outro leva o comportamento ou estado do observador a se tornar congruente com o primeiro. Realizo uma revisão dos achados da cognição e das neurociências para mostrar que “ressonância na dança” é uma mesclagem de sentimento e conhecimento que se originam dos sistemas “de reflexo” somatomotores que preparam processos mais reflexivos como a aprendizagem por imitação, a tomada de perspectiva e a empatia. Introduzo a hipótese da “mesclagem conceitual corporificada” como um mecanismo para ressonância na dança. Exploro questões que se originam sobre o papel e a função da ressonância na dança e discuto sobre questões de gênero e implicações.

Tradução: Mônica Medeiros Ribeiro e Thais Torres Guimarães

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Biografia do Autor

Edward C. Warburton, University of California, Santa Cruz

Edward C. Warburton is Professor of Dance, Associate Dean of the Arts, and Director of the Arts Research Institute at the University of California at Santa Cruz. He attended the (U)North Carolina School of the Arts and danced with American Ballet Theater II, Houston Ballet, and Boston Ballet. His interest in dance cognition and instruction began when studying for his doctorate in human development and psychology at Harvard University. A widely published author, Warburton’s current research explores the relational practices and cognitive processes that enhance (or undermine) the doing, making, and viewing of dance. He has served as director of research for the National Dance Education Organization (NDEO), president of the California Dance Education Association, and editor of the Research in Dance Education journal. He is a recipient of NDEO’s Leadership award (2003), a Jacob’s Pillow Dance fellowship (2007), UC Santa Cruz’s Excellence in Research award (2012) and NDEO’s Outstanding Dance Researcher award (2016).

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Publicado

18-12-2016

Como Citar

WARBURTON, E. C. Ressonância na dança: A arte de mesclar corpos. ARJ – Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 3, n. 2, p. 1–26, 2016. DOI: 10.36025/arj.v3i2.10755. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/10755. Acesso em: 21 dez. 2024.

Edição

v. 3 n. 2 (2016): Dança, arte do corpo e outros corpos das artes

Seção

Dossiê

Licença

Copyright (c) 2016 Edward C. Warburton (Autor)

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