The Arche-Screen and contemporary image devices

Authors

  • Danilo Veríssimo UNESP

DOI:

https://doi.org/10.21680/1983-2109.2024v31n65ID34305

Keywords:

Perception, Phenomenology, Screen, Image, Device

Abstract

Our main purpose is to discuss perception from a perspective that highlights its historicity. We focus more specifically on the analysis of screen devices. Based on Merleau-Pontian phenomenology and, especially, on the contributions of Mauro Carbone, we highlight the concept of Arche-Screen as a guide to our study. From there, we analyze modern devices of perception, linked to the constitution of the modern cognoscent subject, in order to situate a reconfiguration of the subject of observation that serves as a threshold for today’s devices of visibility. It is then that, in the light of the theories we have mobilized, we propose the figure of the observer-observed as a correlative to the quasi-agency of contemporary screen devices. 

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References

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Published

19-08-2024

How to Cite

VERÍSSIMO, D. The Arche-Screen and contemporary image devices. Princípios: Revista de Filosofia (UFRN), [S. l.], v. 31, n. 65, 2024. DOI: 10.21680/1983-2109.2024v31n65ID34305. Disponível em: https://periodicos.ufrn.br/principios/article/view/34305. Acesso em: 2 oct. 2024.

Issue

Vol. 31 No. 65 (2024): Princípios: Revista de Filosofia (UFRN)

Section

Artigos

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Copyright (c) 2024 Danilo Veríssimo

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