Iconography in the Age of Mechanical Reproduction

Autores

  • Paul Taylor University of London

DOI:

https://doi.org/10.36025/arj.v9i1.29648

Palavras-chave:

Benjamin, Casablanca, Iconography, Mechanical reproduction

Resumo

Benjamin's era of mechanical reproduction may not have diminished the aura of art works as he thought, but it has had an impact on the structure of iconography. Now that images can be reproduced so easily by mechanical means, iconographies no longer need to be reinvented over and again by artists. At the same time, the sheer size and diversity of iconographic output means that fewer visual themes are held in common by viewers of images.

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Biografia do Autor

Paul Taylor, University of London

Paul Taylor (PhD) é curador da Coleção de Fotografia do Warburg Institute, University of London. É o autor de Dutch Flower Painting, 1600-1720 e Condition: the Aging of Art, bem como de numerosos artigos sobre teoria e iconografia da arte moderna. Atualmente está escrevendo um livro chamado How Images Mean.

Referências

BENJAMIN, Walter. ‘Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit’, in Gesammelte Schriften, vol. 1, part 2, Frankfurt am Main: Suhrkamp, 1980, pp. 471-508 (477).

CARAFFA, Costanza (ed.), Photo Archives and the Photographic Memory of Art History, Deutsche Kunstverlag, Berlin, 2011.

EBERT, Roger. Review of Gus van Sant’s film Psycho. https://www.rogerebert.com/reviews/psycho-1998

ECO, Umberto. ‘Casablanca: Cult Movies and Intertextual Collage’, SubStance 47 (1985), 3-12 (3).

ELSNER, Jaś; HILLS-NOVA, Clare (eds). ‘Exiles and Emigrés, Libraries and Image Collections: the Intellectual Legacy’, Art Libraries Journal, 38/4 (2013).

FRANCESCHINI, Chiara; Katia Mazzucco (eds). ‘Photographic Collections and Theories of Thematic Ordering’, Visual Resources, 30/3 (2014).

FREEDMAN, Luba. ‘Apollo and Daphne by Antonio del Pollaiuolo and the poetry of Lorenzo de’ Medici’, MAAR (Memoirs of the American Academy in Rome) 56/57, 2011/12, pp. 213-242.

HARMETZ, Aljean. The Making of Casablanca: Bogart, Bergman and World War II, New York: Hyperion, 2002.

McGRATH, Elizabeth, Rubens: Subjects from History, London: Harvey Miller, 1997, pp. 33-54.

UNIVERSAL CITY STUDIOS v. FILM VENTURES INTERN., 543 F. Supp. 1134 (C.D. Cal. 1982). (https://law.justia.com/cases/federal/district-courts/FSupp/543/1134/1460974/).

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Publicado

28-07-2022

Como Citar

TAYLOR, P. Iconography in the Age of Mechanical Reproduction. ARJ – Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 9, n. 1, 2022. DOI: 10.36025/arj.v9i1.29648. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/29648. Acesso em: 21 nov. 2024.

Edição

v. 9 n. 1 (2022): Dossiê Warburg: contribuições ao Simpósio Internacional Warburg 2019, Buenos Aires

Seção

Variações sobre o Warburgiano / Variaciones sobre lo Warburguiano

Licença

Copyright (c) 2022 Paul Taylor (Autor)

Creative Commons License

Este trabalho está licenciado sob uma licença Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Licença Creative Commons
Esta obra está licenciada com uma Licença Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional. 
Autores detêm os direitos autorais ao licenciar sua produção sob Creative Commons Atribuição-NãoComercial-CompartilhaIgual 4.0 Internacional.