Techno-aesthetics, interlocutions and affections between art-life

Abstract

This text addresses some issues associated with contemporary artistic production and its hybrid feature. Thus, from the experiences lived along with the works selected for this discussion, we perceive the existence of multidisciplinary articulations present in the production and enjoyment of the results achieved. We then see that conceptual crossings and technical choices are associated with ideas shared between art, spirituality, science, and life. The works, chosen in this section, present a techno-aesthetics strategically designed to meet the objectives inherent to each artistic project, either through the use of materials technologies, scientific methods, appropriation of "symbolically powerful" materials or creation of objects as sign representatives transcendental, metaphorically identified in their forms and uses.