"Fragments of a nocturnal": interlocutions and history in Paulo Gaiad

Authors

DOI:

https://doi.org/10.36025/arj.v7i2.17359

Keywords:

Paulo Gaiad, Fragmentos de um Noturno, Interlocutions and interdisciplinarity, Art History, Visual Arts

Abstract

Fragments of a nocturnal (2008) is the work analyzed in the article, starting from the premise that the artist, namely visual artist, offers in this series the possibility of experiencing other manifestations of arts, dialogues and conceptual concepts, to see, music and the musical composition, with the piano and the erudite music being approached by Gaiad as an image, unfolding from his own life experience. Visual perceptions of a sonority that does not reach us.

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Author Biography

Luciane R. N. Garcez, Universidade do Estado de Santa Catarina (UDESC)

Art teacher and critic. Master’s in Theory and History of Art by PPGAV - UDESC, scholarship holder Capes. PhD from Université Aix-Marseille, France, in the area of Studies and Sciences of Art. Post-doctorate in Theory and History of Art, from PPGAV-CEART, UDESC; CAPES / PNPD fellow, under the guidance of Sandra Makowiecky. She is a member of the Brazilian Association of Art Critics Section Brazil Aica Unesco (ABCA); member of the International Association of Art Critics (AICA / UNESCO); member of the National Association of Plastic Arts Researchers (ANPAP). Frequently publishes research in the area of Art History as well as contemporary art.

References

BASCHIROTTO, Viviane. Considerações sobre o gesto na fatura. In: Dossiê Paulo Gaiad, Punctum, Florianópolis, UFSC, 2014. Disponível em: http://www.punctum.ufsc.br/consideracoes-sobre-o-gesto-na-fatura/. Acesso em: 25 out. 2020.

CASTRO, Elisiana T.; VIANA, Alice de O. A morte nos detalhes: religiosidade e elementos da estética funerária dos cemitérios de imigrantes alemães na Grande Florianópolis (SC). 2009. Disponível em: https://elisianacastro.files.wordpress.com/2009/06/artigo1-elisiana-e-alice.pdf. Acesso em: 10 mar. 2019.

CHEREM, Rosângela M. Sensibilidades biográficas e percepções temporais na obra de Paulo Gaiad. In: Anais do XXVIII Simpósio Nacional de História – Lugares dos historiadores, velhos e novos desafios. Florianópolis, 27 a 31 de julho de 2015. Disponível em: http://www.snh2015.anpuh.org/resources/anais/39/1434396861_ARQUIVO__SensibilidadesbiograficasepercepcoestemporaisnaobradePauloGaiad.pdf

DELEUZE, Gilles. Lógica do sentido. 4. ed. São Paulo: Perspectiva, 2007.

DIDI-HUBERMAN, Georges. O que vemos, o que nos olha. Tradução de Paulo Neves. São Paulo: Editora 34, 1998.

GARCEZ, Luciane R. N. Paulo Gaiad e a poética da melancolia. In: Anais da ANPAP. 26º Encontro da Associação Nacional de Pesquisadores em Artes Plásticas Memórias e InventAÇÕES. Campinas, setembro de 2017. Disponível em: http://anpap.org.br/anais/2017/PDF/HTCA/26encontro______GARCEZ_Luciane_Ruschel_Nascimento.pdf

RIBENBOIM, Ricardo. Janelas Imaginárias. In: Dossiê Paulo Gaiad, Punctum, dez. 2014. Disponível em: http://www.punctum.ufsc.br/janelas-imaginarias/. Acesso em: 02 fev. 2019.

Capa da revista ARJ, volume 7, número 2, 2020. Mostra fragmento da pintura “Os embaixadores”, de Hans Holbein, o Jovem, 1522, National Gallery, Londres (imagem em domínio público; fonte: Commons).

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Published

26-10-2020

How to Cite

RUSCHEL NASCIMENTO GARCEZ, L. "Fragments of a nocturnal": interlocutions and history in Paulo Gaiad. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 7, n. 2, 2020. DOI: 10.36025/arj.v7i2.17359. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/17359. Acesso em: 5 jul. 2024.

Issue

Vol. 7 No. 2 (2020): Multidisciplinary Perspectives in the Field of Art | Articles

Section

Dossier: Multidisciplinary Perspectives in the Field of Art

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