Dance and co-authoring in network: creation processes in group

Authors

  • Lucas Valentim Rocha Universidade Federal da Bahia / ANDA – Associação Nacional de Pesquisadores em Dança

DOI:

https://doi.org/10.36025/arj.v5i2.17927

Keywords:

Dance, Co-authoring, Collaborative Processes, Creation, Network

Abstract

This article deals with the issue of authorship in the context of groups and colectives of Dance artists who have been working collaboratively. Intend an update of the term authorship to be always thought as co-authoring in network. This proposal suggests the dilution of the author's image as a genius creator and points to a perspective that every discourse is woven together with many other discourses that compose it. In other words, it is always about co-authoring. The bibliographic axis establishes dialogues between philosophers as Foucault (1969), Barthes (1988) and Agamben (2007) with artists researchers such as Setenta (2008), Barreto (2017), Araújo (2011) and Salles (2017).

Downloads

Download data is not yet available.

Author Biography

Lucas Valentim Rocha, Universidade Federal da Bahia / ANDA – Associação Nacional de Pesquisadores em Dança

Professor at the Dance School of the Federal University of Bahia (UFBA, Universidade Federal da Bahia). PhD at the Postgraduate Program in Performing Arts at UFBA (2016-2019). Master in Dance at the UFBA Graduate Program in Dance (2012-2013). Degree in Dance from the Federal University of Bahia (2017-2011). He is the academic coordinator of the UFBA Dance School in 2019-2020. Associate and member of the board of ANDA - National Association of Researchers in Dance - in 2019-2020. Member of the Steering Committee of ARJ - Art Research Journal. Researcher at the PROCEDA Research Groups - Politics, Corporeographic, Political and Educational Processes in Dance and the ÁGORA Research Group - ways of being in dance. He has been working since 2002 as an actor, director, dancer, choreographer and producer. Researches the creative processes and learning experiences in collaborative practices, with emphasis on issues such as hierarchy, authorship, collaboration and power relations.

References

AGAMBEN, Giorgio. Profanações. Tradução Selvino J. Assman. 2. ed. São Paulo: Boitempo, 2007.

ARAÚJO, Antônio. A gênese da Vertigem: o processo de criação de o paraíso perdido. São Paulo: Perspectiva: Fapesp, 2011.

BARRETO, Ivana. Criar Possíveis: entre o um e os muitos. in Anais II Congresso Nacional de Pesquisadores em Dança. Salvador: ANDA, p. 01-11, 2012.

________. Autoria em rede: modos de produção e implicações políticas. São Paulo: 7 Letras, 2017.

BARTHES, Roland. O rumor da língua. Tradução Mário Laranjeira. São Paulo: Editora Brasiliense, 1988.

FOUCAULT, Michel. O que é um autor? in Ditos e Escritos III: Estética, literatura e pintura, música e cinema. Tradução Inês Barbosa. Rio de Janeiro: Forense, 2011.

ROCHA, Lucas Valentim. Processos Colaborativos em Dança e Teatro: entre nós e as relações de poder. 2019. 294 páginas. Tese (Doutorado em Artes Cênicas). Escola de Teatro e Escola de Dança. Universidade Federal da Bahia. Salvador, 2019.

SALLES, Cecília. Processos de criação em grupo: diálogos. São Paulo: Estação das Letras e Cores. 2017.

________. Redes da Criação: Construção da obra de arte. 2. ed. São Paulo: Editora Horizonte, 2006.

SETENTA, Jussara. O Fazer-dizer do corpo: dança e performatividade. Salvador: EDUFBA, 2008.

Published

18-07-2019

How to Cite

ROCHA, L. V. Dance and co-authoring in network: creation processes in group. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 5, n. 2, 2019. DOI: 10.36025/arj.v5i2.17927. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/17927. Acesso em: 21 dec. 2024.