We can exist in another way: "Protocolo Elefante", a Cena 11’s dance piece, as embodiment of another mode of existence

Authors

DOI:

https://doi.org/10.36025/arj.v8i1.24669

Keywords:

Contemporary dance, Creative process, Heteronomy, Politics, Alterity

Abstract

In troubled times as nowadays, art takes on greater relevance due to its potential to materialize realities that differ from those existing in the here and now of the world. This article discusses Protocolo Elefante, a dance piece of Cena 11 Dance Company, and tries to recognize how this work reveals other modes of existence, and other forms of interplay between one and other, that not only informs the reality in which we live in, but also expands our capacity to imagine and to create fables of other worlds. In this study, art is understood as a resource of political insurgency.

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Author Biography

Paloma Bianchi, Coletivo Mapas e Hipertextos

Dance artist, researcher, teacher and curator, Paloma Bianchi holds a degree in Comunicação das Artes do Corpo (PUC-SP) and a PhD in Theater from the Universidade do Estado de Santa Catarina. Since 2013, she has been working with Coletivo Mapas e Hipertextos and with Projeto Corpo, Tempo e Movimento since 2014. For the past years Paloma has been developing solo works at the intersection of dance, performance and visual arts. She is interested in alliances between humans and non-humans.

References

AHMED, Alejandro; SERAFIN, Karin. Entrevista para Paloma Bianchi. Florianópolis, 2018.

BELCHIOR, Jussara. Entrevista para Paloma Bianchi. Florianópolis, 2017.

BLASIUS, Aline; ELIAS, Barbara; KLANN, Marcos; LEITE, Luana; REIS NETO, Eduardo; ROCKENBACH, Hedra; ROMAGNANI, Mariana; ZACHEO, Natascha. Entrevista para Paloma Bianchi. Florianópolis, 2018.

LEPECKI, André. 9 variações sobre coisas e performance. Urdimento – Revista de Estudos em Artes Cênicas, v. 2, n. 19, p. 95–101, 2013.

SAFATLE, Vladimir. Liberdade como heteronomia sem servidão: por uma crítica do conceito de liberdade como auto-pertencimento. Florianópolis. 2018. Palestra realizada no Auditório do prédio do Centro de Filosofia e História (CFH) em 14 de mar. de 2018.

SAFATLE, Vladimir. O circuito dos afetos: Corpos políticos, desamparo e o fim do indivíduo. Belo Horizonte: Autêntica, 2016.

Published

10-08-2021

How to Cite

BIANCHI, P. We can exist in another way: "Protocolo Elefante", a Cena 11’s dance piece, as embodiment of another mode of existence. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 8, n. 1, 2021. DOI: 10.36025/arj.v8i1.24669. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/24669. Acesso em: 21 dec. 2024.