Apostroph – Warburg 1896. Amerindian Pathos and Photografical Spot

Authors

  • Philippe Despoix Université de Montréal (UdeM)

DOI:

https://doi.org/10.36025/arj.v9i1.29667

Keywords:

Ninfa, Aby Warburg, Atlas Mnemosyne, Image, Indigenous People, Photography

Abstract

The article analyzes a photo taken by Aby Warburg during his survey of the Pueblo people in 1896, in which a female subject turns to flee the shot, by slinking into her house. The interaction of which this photograph is the trace reveals, in fact, one of the Pathosformeln that Warburg was going to conceptualize later on, while studying in 1905 the representations of the death of Orpheus in the Classical Tradition. He thereby announces, so to speak, the devices of serialization and photographic spatialization, on which Warburg will develop in the coming years a visual anthropology of cultural transmission through images.

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Author Biography

Philippe Despoix, Université de Montréal (UdeM)

Philippe Despoix is ​​professor of comparative literature at the Université de Montréal. He is the founder, among others, of the research group The Warburg Library Network, within which he has published, with Jillian Tomm, Raymond Klibansky and the Warburg Library Network (McGill-Queen’s University Press, 2017). He is also co-editor of Raymond Klibansky, Tradition antique et tolérance moderne (PUM 2016), as well as Raymond Klibansky, Erwin Panofsky & Fritz Saxl, Saturn and Melancholy. Studies in the History of Natural Philosophy, Religion and Art (New edition, McGill-Queen’s University Press, 2019).

References

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Published

28-07-2022

How to Cite

DESPOIX, P. Apostroph – Warburg 1896. Amerindian Pathos and Photografical Spot . Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 9, n. 1, 2022. DOI: 10.36025/arj.v9i1.29667. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/29667. Acesso em: 3 jul. 2024.