Crossroads between Popular Dances and Contemporary Dance

Authors

  • Ewellyn Elenn de Oliveira Lima Universidade Federal do Rio Grande do Norte (UFRN)
  • Marcilio de Souza Vieira Universidade Federal do Rio Grande do Norte (UFRN) https://orcid.org/0000-0002-2034-0796

DOI:

https://doi.org/10.36025/arj.v9i2.30491

Keywords:

body, culture, dance, crossroads

Abstract

Review of the book Body threshold and crossroads – Process of creation in dance, by Renata Lima da Silva. The book is the result of the doctoral thesis defended at the Graduate Program in Arts at State University of Campinas, UNICAMP. The work discusses the body, movement, and culture to think about contemporary Brazilian Dance. Artistic experiences, field experiences and personal history are merged in the course of the work that is crossed by the character of José Firmino. The ways of doing contemporary dance are approached from the perspective of the matrices of popular culture experienced by the author.

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Author Biographies

Ewellyn Elenn de Oliveira Lima, Universidade Federal do Rio Grande do Norte (UFRN)

Indigenous people in the process of recovering their identity. "Juremeira", candomblecist, "capoeirista angoleira". Performer in the Pé de Maré group, teacher, composer, image and audiovisual enthusiast. Degree in Dance from the Federal University of Paraíba. Master's student in the Graduate Program in Performing Arts at the Federal University of Rio Grande do Norte (UFRN).

Marcilio de Souza Vieira, Universidade Federal do Rio Grande do Norte (UFRN)

Post-Doctor in Arts (UNESP “Júlio Mesquita Filho”); Doctor in Education (UFRN); Professor of the Dance Course of UFRN; Researcher Member "Group of Research in Body, Dance and Creation Processes (Cirandar/UFRN) and "Research Group Body, Phenomenology and Movement" (Estesia/ UFRN); Professor of Postgraduate Programs in Performing Arts (PPGArc) and Post-Graduation in Teaching of Arts (PROFARTES) of UFRN. E-mail: marciliov26@hotmail.com; souvyer@yahoo.com.br.

 

References

CALLOIS, Roger. Os jogos e os homens: a máscara e a vertigem. Lisboa: Cotovia, 1990.

HUIZINGA, Johan. Homo ludens: o jogo como elemento da cultura. São Paulo: Perspectiva, 2007.

MARTINS, Leda Maria. Afrografias da memória: o reinado do Rosário no Jatobá. São Paulo: Perspectiva, 1997.

SCHECHNER, Richard. Performance e Antropologia. Rio de Janeiro: Mauad X, 2002.

SILVA, Renata de Lima. Corpo limiar e encruzilhadas: processo de criação na dança. Goiânia: Editora UFG, 2016.

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Published

12-12-2022

How to Cite

LIMA, E. E. de O.; VIEIRA, M. de S. Crossroads between Popular Dances and Contemporary Dance. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 9, n. 2, 2022. DOI: 10.36025/arj.v9i2.30491. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/30491. Acesso em: 21 dec. 2024.

Issue

Vol. 9 No. 2 (2022): Dossier “Insurgent Dramaturgies and Epistemologies in Dance”; Articles; Reviews

Section

Reviews

License

Copyright (c) 2022 Ewellyn Elenn de Oliveira Lima, Marcilio de Souza Vieira (Autor)

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Creative Commons License
This work is licensed under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License. 
Authors retain copyright, while licensing their work under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License.