Transcriptive Actions: Proposal for a Systematic Analysis of Musical Transcription
DOI:
https://doi.org/10.36025/arj.v11i1.33840Keywords:
Music transcription, Transcriptive actions, Systematic analysis, Re-writingAbstract
In this article, we introduce the concept of transcriptive actions as a foundation for a systematic analysis of musical works or specific passages that have undergone a process of transcription. Given the various meanings that the term "transcription" encompasses, we focus on the notion of taking a pre-existing work to give it a new form, which includes ideas such as arrangement, adaptation, reinterpretation, rewriting, among others. We present the purposes and possibilities of musical transcription, which, among our proposals, emerges as a tool that explores diverse perspectives and, in this sense, can play a role in analyzing and enhancing the understanding of transcribed works. Finally, we define and categorize transcriptive actions into three classes—namely, adaptation, parallelism, and recomposition—promoting connections among the domains of composition, analysis, orchestration, instrumentation, and arrangement.
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