The Poetics of Death and "Ritual Theater": Connection Austria, Mexico and Brazil

Authors

DOI:

https://doi.org/10.36025/arj.v11i2.33860

Keywords:

poetics of death, Ritual Theater, symbolic action, performer, performing arts

Abstract

The article seeks to reflect on the poetics of death taking as a reference three creative processes developed in Austria, Mexico and Brazil in 2018 under the aegis of Teatro Ritual (Haderchpek, 2021). Starting from an empirical methodology, we structure our reflection based on authors who discuss mortuary rites, liminality (Turner, 1974) and the symbolic aspects arising from them. Our main intention is to propose a theoretical discussion on the topic and understand the process of resignifying death in different cultures, in order to “change death into life” (Bayard, 1996). Throughout the text, we seek to highlight the nature of the symbolic actions of the performers woven into the plots of the collective experience (Duvignaud, 1970) and reflect on the ways of making related with the poetics of death.

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Author Biography

Robson Carlos Haderchpek, Universidade Federal do Rio Grande do Norte (UFRN)

Actor, director, researcher and associate professor at the Federal University of Rio Grande do Norte, UFRN. Coordinator of the Research Project Decolonial Poetics in the Performing Arts: Identity and Performativity (CNPq, National Council for Scientific and Technological Development). He was president of Performing Arts Research and PostGraduate Studies Brazilian Association, ABRACE (2017-2018) and is co-founder of the working group “Myth, Image and Scene”. Bachelor in Performing Arts, Master and Doctor in Arts from State University of Campinas, UNICAMP. He carried out two postgraduate research projects, one at the Universität für Musik und Darstellende Kunst Wien, Austria (2014-2015) and another at the Postgraduate Program in Performing Arts at the Federal University of Bahia, PPGAC/UFBA (2020-2021). Professor of the Theater Course and the Postgraduate Program in Performing Arts at UFRN. Collaborating Professor in the Postgraduate Program in Arts at State University of Rio de Janeiro, UERJ. Collaborating professor in the PhD in Educational Sciences at the Higher Institute of Educational Sciences of Sumbe, Angola. Member of the of Learning Research Groups: Cirandar, Íman and Poetics. Director of the Arkhétypos Theater Group. Research Productivity Scholarship from CNPq.

References

ALVES, Júlia Batista. Um brinde à identidade, à diversidade e à alteridade: um passeio pelo mundo dos mortos no sul do México. Abehache – Revista da Associação Brasileira de Hispanistas, n. 8, p. 53-72, 2015.

ARTAUD, Antonin. O teatro e seu duplo. São Paulo: Martins Fontes, 1993.

BAYARD, Jean-Pierre. Sentido oculto dos ritos mortuários: morrer é morrer? Tradução de Benoni Lemos. São Paulo: Paulus, 1996.

CAMPBELL, Joseph. O poder do mito. São Paulo: Palas Athena, 1990.

COUTINHO, Karyne Dias; HADERCHPEK, Robson. Pedagogia de si: poética do aprender no teatro ritual. ARJ – Art Research Journal: Revista de Pesquisa em Artes, [Natal], v. 6, n. 1, p. 01-19, 2019.

DUVIGNAUD, Jean. Sociologia da arte. Rio de Janeiro: Forense, 1970.

HADERCHPEK, Robson. O Teatro Ritual e os Estados Alterados de Consciência. São Paulo: Giostri, 2021.

IGLESIAS Y CABRERA, Sonia C. Cuando los abuelos regresan: origen y simbologia del Dia de los Muertos en Mexico. México: Plaza y Valdés, 2008.

KOVÁCS, Maria Júlia. Educação para a morte: temas e reflexões. São Paulo: Casa do Psicólogo; Fapesp, 2003.

OLIVEIRA NETO, Leônidas; HADERCHPEK, Robson Carlos. O Jogo Ritual e os Estados Alterados de Consciência: os processos psicofísicos no trabalho de criação do ator. Revista Brasileira de Estudos da Presença, v. 11, p. 1-24, 2021.

TURNER, Victor W. O Processo Ritual: estrutura e anti-estrutura. Tradução de Nancy Campi de Castro e Ricardo A. Rosenbusch. Petrópolis: Vozes, 2013.

Published

08-12-2024

How to Cite

HADERCHPEK, R. C. The Poetics of Death and "Ritual Theater": Connection Austria, Mexico and Brazil. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 11, n. 2, 2024. DOI: 10.36025/arj.v11i2.33860. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/33860. Acesso em: 21 dec. 2024.

Issue

Section

Dossier: Multidisciplinary Perspectives in the Field of Art