The Classroom as a Collective Body: Teaching Performance as a State of Existence and Coexistence

Authors

DOI:

https://doi.org/10.36025/arj.v11i2.35003

Keywords:

artes visuais, performance, pedagogia, universidade, docência

Abstract

The text presents a transcription of an interview conducted by the artist-performer Sarah Marques Duarte with professor-performer Ricardo Barreto Biriba as part of the research Limits and tensions in the teaching of performance in Brazilian public universities. The investigation aims to reflect on the singularities in the teaching of performance in the trajectory of artist-researchers in contemporary times. The study stems from the desire to contribute to teaching practices in the field of performance by compiling pedagogical proposals focused on the professionalization of individuals in the field. Professor-performers reflect on the field, its complexities, contradictions, and potentials. It is evident in the interview that teaching performance at the university requires a double movement from the teacher: adherence and resistance. On the one hand, dialoguing with the institution's norms and, on the other, creating gaps for its transformation.

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Author Biographies

Ricardo Barreto Biriba, Universidade Federal da Bahia (UFBA)

Visual artist, performer, dancer, and choreographer. He develops interdisciplinary artistic works. Associate Professor IV at the School of Fine Arts at the Federal University of Bahia (UFBA), working in the fields of Behavior Sculpture in the training of artists, designers, decorators, and teachers. He holds a Master’s degree in Visual Arts (1997) and a PhD in Performing Arts (2005). He completed a Postdoctoral Fellowship in Image Arts and Contemporary Art at the University of Paris 8 (2011).

Sarah Marques Duarte, Universidade Estadual do Paraná (UNESPAR)

Artist and researcher, primarily working with body and relational practices. She is interested in the insurgent poetics of Latin American artists dedicated to undisciplinary actions. Professor at the School of Music and Fine Arts of the State University of Paraná (UNESPAR) and a permanent faculty member of the Graduate Program in Visual Arts at the same institution, where she has coordinated the Performance Laboratory (LaPerfo) since 2022. She has been a guest professor in the Graduate Program in Visual Arts at the National University of the Arts (UNA), Argentina, since 2017. She holds a Master’s degree in Visual Arts (UNA) and a PhD in Performing Arts (Federal University of Bahia, UFBA).

References

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Published

24-12-2024

How to Cite

BIRIBA, R. B.; DUARTE, S. M. The Classroom as a Collective Body: Teaching Performance as a State of Existence and Coexistence. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 11, n. 2, 2024. DOI: 10.36025/arj.v11i2.35003. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/35003. Acesso em: 6 jan. 2025.