Experiences of Performativity in the Contemporary Brazilian Scene

Authors

  • Sílvia Fernandes Telesi Escola de Comunicação e Artes da Universidade de São Paulo (ECA-USP)

DOI:

https://doi.org/10.36025/arj.v1i1.5259

Keywords:

genética teatral, performatividade, Teatro da Vertigem

Abstract

From the recognition of the processuality of the contemporary theater, we will make an intersection of this phenomenon with the theoretical field of performativity. The goal is to associate the theory of performativity to the last works of the Theatre Vertigo, directed by Antonio Araujo, BR3 and Bom Retiro 958 metros. We depart from the genetic approach to the theater to examine some aspects of the creative process and the scene.

Keywords: genetics of the theater, performativity, Theatre Vertigo.

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Author Biography

Sílvia Fernandes Telesi, Escola de Comunicação e Artes da Universidade de São Paulo (ECA-USP)

Sílvia Fernandes is full Professor in the Department of Performing Arts in Universidade de São Paulo (ECA-USP), and CNPq researcher. Recent publications include: Teatralidades contemporâneas (Contemporary theatricalities) (2010); O Pós-dramático (The Post-dramatic - An operative concept?) (ed. with J. Guinsburg, 2009); and O teatro contemporâneo: a encenação (The contemporary theater: the staging). In: Faria (Ed.), 2013. História do Teatro Brasileiro 2 (History of Brazilian Theater 2).

References

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Published

01-05-2014

How to Cite

FERNANDES TELESI, S. Experiences of Performativity in the Contemporary Brazilian Scene. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 1, n. 1, p. 63–74, 2014. DOI: 10.36025/arj.v1i1.5259. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/5259. Acesso em: 27 jul. 2024.

Issue

Vol. 1 No. 1 (2014): The Concept of Research in the Arts

Section

Research in Arts

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