Experiences of Performativity in the Contemporary Brazilian Scene
DOI:
https://doi.org/10.36025/arj.v1i1.5259Keywords:
genética teatral, performatividade, Teatro da VertigemAbstract
From the recognition of the processuality of the contemporary theater, we will make an intersection of this phenomenon with the theoretical field of performativity. The goal is to associate the theory of performativity to the last works of the Theatre Vertigo, directed by Antonio Araujo, BR3 and Bom Retiro 958 metros. We depart from the genetic approach to the theater to examine some aspects of the creative process and the scene.
Keywords: genetics of the theater, performativity, Theatre Vertigo.
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Copyright (c) 2014 Sílvia Fernandes Telesi (Autor)
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This work is licensed under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License.
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