Post-production anarchism

Authors

  • Paul Werner Editor, WOID, a journal of visual language Publisher, The Orange Press

DOI:

https://doi.org/10.36025/arj.v2i2.7299

Keywords:

Anarchism, Art, America, Consumerism, Come! Unity Press.

Abstract

Come! Unity Press was an anarchist community in New York City in the mid nineteen-seventies that based its operations on the ideas of Murray Bookchin, the organizer best known for his theory of “Post-Scarcity Anarchism.” Come! Unity Press offered free access for the publishing of literature and visual propaganda of all sorts; it attracted a wide range of the underserved and unacknowledged: Native Americans, Puerto-Ricans, blacks, gays. Despite this, and like other cultural movements before it, the project initiated “the metamorphosis of political struggle from a compulsory decision into an object of pleasure, from a means of production into an article of consumption” [Walter Benjamin]. Come! Unity Press was a forerunner of the consumer-oriented cultures of today. This article suggests parallels with the ideology of Cubism and the cultural program of the Bavarian People’s Republic of 1919.

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Published

25-09-2015

How to Cite

WERNER, P. Post-production anarchism. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 2, n. 2, p. 27–39, 2015. DOI: 10.36025/arj.v2i2.7299. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/7299. Acesso em: 21 dec. 2024.

Issue

Section

Part 1 – Art in the World – Possible Connections