Theater and Robotics: Hiroshi Ishiguro's Androids as Staged by Oriza Hirata

Authors

  • Izabella Pluta Université Lyon 2

DOI:

https://doi.org/10.36025/arj.v3i1.8405

Keywords:

Geminoid, Theater, Actor, Laboratory experimentation

Abstract

This article analyzes the theatrical career of androids, especially Geminoid F, designed by robotics engineer Hiroshi Ishiguro in its ATR laboratory in Osaka, and used on stage by director and playwright Oriza Hirata. This geminoid deceives the eye because of the similarity of their skin with that of man, and his facial expression endowed with movements of lips and eyelids blinking. In fact, the Geminoid F is a highly advanced electronic architecture, making the culmination, so far, the research carried out by Professor Ishiguro and his team. The robot is also the subject of Android-Human Theatre project, designed by Oriza Hirata, which aims to integrate the Geminoid F in a live performance and put it in a game situation alongside professional actors. Hirata stages Sayonara, The Three Sisters Android version and android version Metamorphoses, interrogating, so the figure of the actor and the creative process.

English version by Leslie Damasceno.

Downloads

Download data is not yet available.

Author Biography

Izabella Pluta, Université Lyon 2

Izabella Pluta, a researcher in theater studies, theater critic and traductrice. Research associate at the EA Passages XX-XXI (University Lyon 2), founder and head of the Theatre in Progress. Association for Research and creation related Technology (Lausanne) Laboratory cultures and digital humanities - University of Lausanne (Switzerland); Home Team Passages XX-XXI - Lyon 2 University (France)

References

BIBLIOGRÁFICAS

BAY-CHENG, Sarah; KATTENBELT, Chiel; LAVENDER, Andy; NELON, Robin (Org.). Mapping Intermediality in Performance. Amsterdam: Amsterdam University Press, 2010.

?APEK, Karel. R.U.R, comédie utopiste en trois actes et un prologue, traduit du tchèque par H. Jelinek. Les Cahiers dramatiques, n°?21, supplément au n°?37 du Théâtre et Comoedia illustré, 1er?octobre 1924.

DIXON, Steve. Digital Performance: A History of New Media in Theatre, Dance, Performance Art and Installation. Cambridge, Massachusetts; London: The MIT Press, 2007.

FOURMENTRAUX, Jean-Paul. Artistes de laboratoire. Recherche et création à l’ère numérique. Paris: Hermann, 2011.

GRIMAUD, Emmanuel; PARÉ, Zaven. Le jour où les robots mangeront des pommes. Paris: Editions PETRA, 2011.

HIRATA, Oriza. About Our Robot/Android Theatre. Traduit par Kei Hibino, Comparative Theatre Review, v.11, n. 1 (English Issue), p.1, March 2012.

LABORATOIRE de l’inquiétante étrangeté. Thé-Ro. Théâtre et robotique, Descriptif du projet, 2011.

MASAHIRO, Mori. The Uncanny Valley (Bukimi no tani), K. F. MacDorman & T. Minato, Trans. Energy, 7 (4), p. 33-35, 1970.

PLUTA, Izabella. La performance de la machine ou comment les cyborgs et les robots jouent sur la scène. Ligeia. Dossiers sur l’art, Nos 117-120 : La Performance sous la direction de Julie Bawin et Pierre-Jean Foulon, p. 169-185, juillet-décembre, 2012.

PLUTA, Izabella. Robot przyjacielem cz?owieka. Wywiad z Oriz? Hirat? [Robot, ami de l’homme. Entretien avec Oriza Hirata], Teatr, p. 10-14, mars, 2013 (article en polonais), en version française: Pluta, Izabella (dir.). Scène numérique et expérimentation, en publication.

PLUTA, Izabella. Robots sur scène. (En)jeu du futur. Jeu. Revue de théâtre, No 149: Mémoires en jeu, p. 145-148, décembre, 2013.

ZHANG, Yun. Investigating Collaboration in Art and Technology. In: CANDY, Linda; EDMONDS, Ernest (Org.). Interacting: Art, Research and the Creative Practitioner, Oxfordshire: Libri Publishing, 2011, p. 122-135.

ARTICLES IN ONLINE JOURNALS

ATR Intelligent Robotic and Communication Laboratoriers. Understanding the Mechanism of Sonzai-Kan. [2006] Disponível em: http://www.geminoid.jp/projects/kibans/Data/panel-20060719-mod2-only.pdf. Acesso em: 30 set. 2011.

HELLIOT, Armelle. La Métamorphose version androïde d'Oriza Hirata, Le Figaro. Blog, Disponível em: http://blog.lefigaro.fr/theatre/2014/11/la-metamorphose-version-androi.html publié le 14 nov. 2014, acesso em: 19 nov. 2015.

KLOC, Joe. Into Uncanny Valley, Disponivel em: http://seedmagazine.com/content/article/uncanny_valley/P2/ publié le 9 nov. 2009, acesso em: 20 nov. 2015.

OSAKA Kaleidoscope. Hopes and Expectations for “Robot Theatre”. Disponível em: http://www.osaka-brand.jp/en/kaleidoscope/robot/index.html. Acesso em: 27 nov. 2015.

PARÉ, Zaven. The art of being together with robots: A conversation with Professor Hiroshi Ishiguro. International Journal of Social Robotics, Springer Journals, Special issue: Artificial Empathy: An Interdisciplinary Investigation, Acesso em: http://link.springer.com/article/10.1007%2Fs12369-014-0264-9#/page-1, publié le 5 nov. 2014, acesso em: 28 nov. 2015.

Published

17-05-2016

How to Cite

PLUTA, I. Theater and Robotics: Hiroshi Ishiguro’s Androids as Staged by Oriza Hirata. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 3, n. 1, p. 65–79, 2016. DOI: 10.36025/arj.v3i1.8405. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/8405. Acesso em: 21 dec. 2024.

Issue

Section

Dossier: Theatre in the expanded field