The Steaming Earth

Authors

  • Annette Kristina Arlander Professor of Artistic Research Performing Arts Research Centre Theatre Academy University of the Arts Helsinki

DOI:

https://doi.org/10.36025/arj.v3i1.8432

Keywords:

Performing landscape, Art technology, Environment, Expanded field, Earthlings

Abstract

The text presents the method developed by the author, called performing landscape, and discusses it in the context of the expanded field in performing arts. If we consider ourselves as earthlings, citizens of the planet earth, the question of meaningful performance practices can be approached inclusively. As citizens we are in relation to a city or society, as a site, too; as earthlings we are related to all beings living here, and to the earth. The essay takes as a starting point Elisabeth Grosz’s study Chaos, Territory, Art (2008), in which she develops new ways of addressing and thinking about the arts and the forces they enact and transform. She suggests that arts frame or compose chaos so that sensation can proliferate; they transform materials of the past into resources of the future. 

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Author Biography

Annette Kristina Arlander, Professor of Artistic Research Performing Arts Research Centre Theatre Academy University of the Arts Helsinki

Born 1956 in Helsinki, where she lives and works. Artist, researcher and a pedagogue, one of the pioneers of Finnish performance art and a trailblazer of artistic research. Graduated from the department of directing at the Theatre Academy 1981, Doctor of Arts (Theatre and Drama) 1999. Professor of Performance Art and Theory at Theatre Academy 2001-2013. Professor of artistic research 2015. From the year 2000 she has worked mainly in the context of contemporary art.

References

ARLANDER, Annette “Becoming Juniper – Performing Landscape as Artistic Research”. In: Nivel No 5 2015, The Publication Series of the Theatre Academy Helsinki Nivel http://nivel.teak.fi/becoming-,juniper/becoming-juniper-performing-landscape-as-artistic-research-annette-arlander/

ARLANDER, Annette "Performing Landscape for Years". Performance Research Special issue: On Time. 19-3 2014, 27-31.

ARLANDER, Annette “Performing Landscape: Live and Alive” Total Art Journal Vol. 2. 2012.(a) http://totalartjournal.com/archives/3201/annette-arlander/

ARLANDER, Annette “Performing Time Through Place” In: Riku Roihankorpi and Teemu Paavolainen (eds.) SPACE–EVENT–AGENCY–EXPERIENCE Open Access E-Publication of the DREX Project. Centre for Practice as Research in Theatre. University of Tampere 2012.(b) http://t7.uta.fi/drex/DREX/11_TextsAndPublicationsEn.html

BRAIDOTTI, Rosi “Affirming the affirmative: On Nomadic Affectivity”, rhizomes 11/12, 2005/2006.

BRENNAN, Teresa. Exhausting Modernity – Grounds for a new economy. London and New York: Routledge. 2000.

CARLSON, Marvin Performance – A Critical Introduction. London: Routledge. 1996.

FÉRAL, Josette and Lyons, Terese ”Performance and Theatricality: The Subject Demystified”, Modern Drama? Volume 25, Number 1, Spring 1982. p. 170-181.

FISCHER-LICHTE, Erika. Transformative Power of Performance: A New Aesthetics. London and New York: Routledge. 2008.

GROSZ, Elisabeth. Chaos, Territory, Art: Deleuze and the Framing of the Earth. New York: Columbia University Press. 2008

KHLEBNIKOV, Velimir. The King of Time – Selected Writings of Velimir Khlebnikov. Cambridge, Massachusetts; London, England: Harvard University Press 1985.

KONTTURI, Katve-Kaisa & TIAINEN, Milla “Feminism, Art, Deleuze and Darwin: An Interview with Elizabeth Grosz” NORA – Nordic Journal of Women’s Studies, Vol 15 No.4. November 2007, p. 246-256.

KRAUSS, Rosalind. Sculpture in the Expanded Field October, Vol. 8. (Spring, 1979), p. 30-44.

LATOUR, Bruno. “A Plea for Earthly Sciences”, keynote lecture for the annual meeting of the British Sociological Association, East London. 2007. http://www.bruno-latour.fr/sites/default/ files/102-BSA-GB_0.pdf (11.10.2012).

LEHMANN, Hans-Thies. Postdramatic Theatre. New York: Routledge. 2006.

LOVELOCK, James. Gaia – A new look at life on Earth. Oxford: Oxford University Press 2000.

MCKENZIE, Jon. Perform or else – from discipline to performance. New York: Routledge. 2001.

MORSE, Margaret. “Video Installation Art: The Body, the Image, the Space-in-between.” In Illuminating Video: An Essential Guide to Video Art, edited by Dough Hall and Sally Jo Fifer Reading, PA: Aperture. 1990.

PHELAN, Peggy. Unmarked. London and New York: Routledge. 1993.

SCHECHNER, Richard. Performance Studies - An Introduction. London and New York: Routledge. 2006.

Vídeos

Furnas 1-3 - http://www.av-arkki.fi/en/works/furnas-1-3_en/

Vulcano 1-3 - http://www.av-arkki.fi/en/works/vulcano-1-3_en/

Krysuvik 1-5 - http://www.av-arkki.fi/en/works/krysuvik-1-5_en/

Sounding Furnas 1 - https://vimeo.com/24557604

Sounding Krysuvik 2 - https://vimeo.com/27965373

Published

17-05-2016

How to Cite

ARLANDER, A. K. The Steaming Earth. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 3, n. 1, p. 142–157, 2016. DOI: 10.36025/arj.v3i1.8432. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/8432. Acesso em: 5 jul. 2024.

Issue

Section

Dossier: Theatre in the expanded field