ALLOW ME TO SAY NO TO MY SCARS THE DECOLONIAL CRY UBUNTU OF THE EMICIDA

Authors

DOI:

https://doi.org/10.21680/1984-3879.2024v24n2ID33046

Keywords:

cultural criticism

Abstract

The marks of colonization and slavery are present in the history of Brazil and in subjectivities, however these ills do not define identities. This is the cry/alert that Emicida brings in the song AmarElo (2019). This article proposes to analyze the musical work from the perspective of decolonial thinking and cultural-social critique, observing how the composer builds intersectionality in the work and what is the significance of the invited subjects for the musical pluridiversity.

Downloads

Download data is not yet available.

Author Biographies

Jailma dos Santos Pedreira Moreira, Teacher/UNEB

Graduated in Vernacular Letters from the State University of Bahia - UNEB (1996), a Specialization in Text and Grammar by the State University of Feira de Santana - UEFSin agreement with UNICAMP (1999), another in Literary Studies by UNEB (2000), Master's in Letters and Linguistics from the Federal University of Bahia - UFBA (2003) and also a PhD in the area of ​​Literature, Theories and Criticism of Culture, at the latter university (2008). Completed a Postdoctoral Degree in Letters - Feminist Metacriticism\Public Policies for Women's Literature- at UFMG (2015). She is a professor at the University of the State of Bahia, of the graduation in Letters and of the Program stricto sensu Postgraduate Program in Cultural Criticism. He has experience in the field of Letters, with emphasis on Cultural Criticism, working mainly on the following themes: literature, subjectivity, micropolitics, gender and feminist cultural critique. Author of the book Under the lamplight: Maria Bonita and the movement of subjectivity of sertaneja women and organizer, with others authors, from the collection: Other perspectives on the northeastern sertão: gender, subjectivity and masculinities. In addition, he published several articles, book chapters and organized dossiers/journal issues, reflecting the themes of their research, which are linked to the project of her authorship, entitled: Literature in women's movements: from women's movements feminist writers and theorists to the rewritings of women in social movements. In that regard, has been producing, in a network, critical reflections, opening-strengthening fields of knowledge about feminisms, including black and rural feminisms, about rural women, production authored by women, literature by subaltern women, public policies for women's literature, reading and writing, including in pedagogical contexts, women's cultural archives, writings of women's bodies in sociocultural movements, women's self-narratives, and other derived/interrelated issues.

Nádja Nayra Brito Leite , Mestranda/Universidade do Estado da Bahia

Academic training comprises the areas of communication and letters. Graduated in Social Communication (Major in Publicity and Propaganda) from UCSAL and Postgraduate (specialization) in Corporate Communication and Marketing at JTS. He has extensive professional experience in the area of ​​Communication, with an emphasis on advertising copywriting. In addition, he was a professor for 10 years teaching the disciplines of advertising writing, ethics and legislation and semiotics at UNIFTC. She is currently a graduate student in Literature and a Master's student in Cultural Criticism at the Department of Letters at the State University of Bahia – UNEB. It is dedicated to studies on feminisms, decoloniality and sociocultural criticism, relating the areas of communication, arts and letters.

References

ALMEIDA, Sônia. R. (2010). Prefácio. In G. C. Spivak. Pode o Subalterno falar? Editora UFMG.

HALL, Stuart. (2003). Da Diáspora: Identidades e Mediações Culturais. Editora UFMG.

KILOMBA, Grada. (2019). Memórias da Plantação: Episódios de Racismo Cotidiano. Editora Cobogó.

MIGNOLO, Walter D. (2017). Colonialidade, o lado mais escuro da modernidade. Editora PUC-Rio,

Moreira, T. A. (2018). Cultura: entre a arena de luta e o movimento Hip Hop. Revista FAMECOS, 25 (2), ID27498. https://doi.org/10.15448/1980-3729.2018.2.27498

MORENO, Alejandro. (2005). Superar a exclusão, conquistar a equidade: reformas, políticas e capacidades no âmbito social. In Edgardo Lander (org). A colonialidade do saber: eurocentrismo e ciências sociais. Perspectivas latino-americanas. Colección Sur Sur, CLACSO. https://biblioteca-repositorio.clacso.edu.ar/

QUIJANO, Anibal. (2005). Colonialidade do poder, eurocentrismo e América Latina. In Edgardo Lander (org). A colonialidade do saber: eurocentrismo e ciências sociais. Perspectivas latino-americanas. Colección Sur Sur, CLACSO. https://biblioteca-repositorio.clacso.edu.ar/

SANTOS, Antônio Bispo dos (2015). Colonização, Quilombos, Modos e Significações. Editora INCTI/UnB.

SPIVAK, Gayatri Chakravorty (2010). Pode o subalterno falar? Editora UFMG

Downloads

Published

18-10-2024

How to Cite

DOS SANTOS PEDREIRA MOREIRA, J.; BRITO LEITE , N. N. . ALLOW ME TO SAY NO TO MY SCARS THE DECOLONIAL CRY UBUNTU OF THE EMICIDA . Saberes: Interdisciplinary Journal of Philosophy and Education, [S. l.], v. 24, n. 2, p. FIA08, 2024. DOI: 10.21680/1984-3879.2024v24n2ID33046. Disponível em: https://periodicos.ufrn.br/saberes/article/view/33046. Acesso em: 19 oct. 2024.

Issue

Vol. 24 No. 2 (2024): African Philosophies: Plural and Anti-Colonial Voices

Section

Dossiê Filosofias Africanas: Vozes plurais e contracoloniais

License

Copyright (c) 2024 Jailma dos Santos Pedreira Moreira, Nádja Nayra Brito Leite

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Este obra está licenciado com uma Licença Creative Commons Atribuição 4.0 Internacional.

Autores que publicam nesta revista concordam com os seguintes termos:

a. Autores mantém os direitos autorais e concedem à revista o direito de primeira publicação, com o trabalho simultaneamente licenciado sob a Licença Creative Commons Attribution 4.0 que permite o compartilhamento do trabalho com reconhecimento da autoria e publicação inicial nesta revista.

b. Autores têm autorização para assumir contratos adicionais separadamente, para distribuição não-exclusiva da versão do trabalho publicada nesta revista (ex.: publicar em repositório institucional ou como capítulo de livro), com reconhecimento de autoria e publicação inicial nesta revista.

c. Autores têm permissão para publicar e distribuir seu trabalho online (ex.: em repositórios institucionais ou na sua página pessoal) após a publicação inicial nesta revista, já que isso pode gerar alterações produtivas, bem como aumentar o impacto e a citação do trabalho publicado (Veja O Efeito do Acesso Livre).

Foram feitos todos os esforços para identificar e creditar os detentores de direitos sobre as imagens publicadas. Se tem direitos sobre alguma destas imagens e não foi corretamente identificado, por favor, entre em contato com a revista Saberes e publicaremos a correção num dos próximos números.