On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept

Authors

DOI:

https://doi.org/10.36025/arj.v9i1.29694

Keywords:

Contemporary Art, Tucumán, Stone-image, Identity, Culture, Contamination, Mounting

Abstract

This paper aims to reflect, based on the Warburgian notion of culture as contamination, the singularities of contemporary artistic production in Tucumán, a province located in the northwest of Argentina. Since the Tucumanian Art is marked by the strong relationship between the artist’s imagination and Andean geography, this essay proposes the notion of stone-image as a conceptual interpellation to the alleged existence of a Tucumanian identity. Instead, it is here proposed to think in a more complex way, historically, the artistic tradition of Tucumán, in which survival (Nachleben) is a recurrent symptom in culture, while spontaneous artistic montage reveals once and again a way of constructing history through intervals.

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Author Biographies

Bruno Juliano, Universidad Nacional de Tucumán (UNT)

Bruno Juliano (PhD) is assistant professor of History of Contemporary Art at the Faculdade de Artes da Universidad Nacional de Tucumán. Artist and researcher, he works with the memory of images and contemporary art in Tucumán, a province located in northwest Argentina, a region where he develops artistic, curatorial, editorial and management projects.

Alex Martoni, Universidade Federal de Juiz de Fora (UFJF)

Alex Sandro Martoni (PhD) is an assistant professor at the Department of Letters at the Universidade Federal de Juiz de Fora and at the Centro Universitário UniAcademia. Musician and audiovisual director, he is the organizer of the book Rituais da percepção (2018). His current research involves studying the relationship between literature, image and visuality in contemporary Brazilian literature, carrying out technical experiments in the phenomenology of voice and developing the concept of listening rituals (with the Argentine philosopher Hernán Ulm).

References

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WYNGAARD, Alejandra. Notas para la historia de un pasado cercano (1958-83). En: BELTRAME, Carlota (Ed.). Manual Tucumán de arte contemporáneo. Hacia la comprensión de nuestro arte en el siglo XXI. Tucumán: Edición del Autor, 2011, p. 29-66.

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Published

28-07-2022

How to Cite

JULIANO, B.; MARTONI, A. On How the Contemporary Art of Tucumán Questions the “Tucumano” Concept. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 9, n. 1, 2022. DOI: 10.36025/arj.v9i1.29694. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/29694. Acesso em: 21 dec. 2024.

Issue

Vol. 9 No. 1 (2022): Dossier Warburg: Contributions to The Warburg 2019 International Symposium, Buenos Aires

Section

Other Times and Other Geographies

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Copyright (c) 2022 Bruno Juliano, Alex Martoni (Autor)

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This work is licensed under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License. 
Authors retain copyright, while licensing their work under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License.