Dissident Bodies, Dissident Voices: Art in Times of Web

Authors

DOI:

https://doi.org/10.36025/arj.v11i2.31032

Keywords:

inclusion, diversity, music, performance, media censorship

Abstract

Between 2021 and 2022, two events promoted by the Festival Durante, brought to Belo Horizonte, Minas Gerais, Brazil, open meetings designes for public access through social networks. The first, linked to the Festival Durante,, celebrated the happening Do corpo à terra through selections of video performances, roundtables and publications, with the support of Associação Brasileira de Críticos de Arte (ABCA); the second, in partnership with the Centro de Referência da Juventude (CRJ), presented the music scene from artists representing different universes. The article aims to discuss the role of social media in the contemporary system of displacement, reach and repercussion of today's issues, however, in the same way, to measure the impact of conservative ideological hacking in the deconstruction of debates, mainly through the targeted attack on the field of the arts.

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Author Biographies

Francesco Napoli, Universidade Salgado de Oliveira (UNIVERSO)

Professor at the Salgado de Oliveira University (UNIVERSO). An artist who works through poetry, music, performance, urban interventions, research, and teaching; he is part of the projects Divergência Socialista, Falcatrua, and Orquestra Opus. He presents, produces, and edits the programs Tropofonia on UFMG Educativa radio and Ágora Agora on Favela FM radio. He also organizes and curates the contemporary art and performance festival Durante,. He holds a degree in History from Centro Universitário de Belo Horizonte, UniBH (2001), a Master's in Aesthetics and Philosophy of Art from Federal University of Ouro Preto, UFOP (2008), and a Ph.D. in Arts from Federal University of Minas Gerais, UFMG (2021). He has experience in the field of Philosophy, with an emphasis on Aesthetics, working mainly on the following topics: music and its relationships with visual arts, education (active methodologies), art (performance), and the humanities.

Yacy-Ara Froner, Universidade Federal de Minas Gerais (UFMG)

Yacy-Ara Froner Gonçalves is a full professor at the School of Fine Arts at the Federal University of Minas Gerais, UFMG; she is responsible for the fields of Art History in the undergraduate Visual Arts program and Heritage Science in the undergraduate Conservation-Restoration program. She holds a Master’s and a Ph.D. in History from University of São Paulo, USP, with senior postdoctoral studies at International Centre for the Study of the Preservation and Restoration of Cultural Property, ICCROM-Rome (CAPES support), under the supervision of Jukka Jokilehto, and senior postdoctoral studies (CNPq support) at Faculty of Architecture and Urbanism, University of São Paulo, FAUUSP, under the supervision of Beatriz Kühl. Currently, she is the deputy coordinator of the Graduate Program in Arts at UFMG. A CNPq (National Council for Scientific and Technological Development) research fellow, her studies focus on the intersection between Curatorship, Collection History, and Preservation. She is also the coordinator of REMIN, Rede Mineira de Museus (FAPEMIG/CNPq), and the curator of the Durante, festival.

References

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FESTIVAL DURANTE,. Festival Dutante,. Website. Disponível em: https://www.festivaldurante.com.br. Acesso em: 15 Dez. 2024.

FRONER, Yacy-Ara. Corpos cancelados: os deslocamentos da censura nas arte. In: Yacy Ara Froner; Francesco Napoli; Marília Andrés Ribeiro. Festival Durante,: do corpo à terra, Belo Horizonte: Editora ABCA, 2021. Disponível em: https://issuu.com/abcainforma/docs/ebook_durante_do_corpo_a_terra_2021_isbn_lq_; https://www.festivaldurante.com.br/e-book-audiobook/. Acesso em: 19 ago. 2022.

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VELOSO, Caetano. Anjos Tronchos. In: Meu Coco. Rio de Janeiro: Sony Music, 2021. 1 CD.

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Published

18-12-2024

How to Cite

NAPOLI, F.; FRONER, Y.-A. Dissident Bodies, Dissident Voices: Art in Times of Web. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 11, n. 2, 2024. DOI: 10.36025/arj.v11i2.31032. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/31032. Acesso em: 21 dec. 2024.

Issue

Vol. 11 No. 2 (2024): Multidisciplinary Perspectives in the Field of Art; Articles

Section

Articles

License

Copyright (c) 1969 Francesco Napoli, Yacy-Ara Froner (Autor)

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This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

Creative Commons License
This work is licensed under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License. 
Authors retain copyright, while licensing their work under a Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) License.