Singing and Gesture: Considerations on Vocal Aesthetics in Sacred Medieval Polyphony Performance
DOI:
https://doi.org/10.36025/arj.v10i1.31801Keywords:
Middle Ages, polyphony, oral tradition, early music, voiceAbstract
The early music movement is mainly based on the analysis of documentary records from the past (scores, treatises, historical accounts, etc.). However, the gaps caused by the lack of continuity of an oral tradition remain – after all, not all elements of the performance are contained in the scores. Therefore, to fill these gaps, the performer of the present needs to make certain decisions – not always according to the most objective criteria. The article discusses some of the decisions of historically informed musicians regarding the vocal technique used to perform medieval polyphony nowadays, and proposes a new hypothesis in this regard, with the help of iconography and the popular repertoire of oral tradition.
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