Marco Giannotti: Photography as a Clandestine Element in Painting

Authors

DOI:

https://doi.org/10.36025/arj.v11i1.34553

Keywords:

Marco Giannotti; fotografia; pintura; arquivo; platitudes.

Abstract

The article deals with the relationship between photography and painting in the work of the artist Marco Giannotti, seeking to analyze how his pictorial imagination may have been fostered, based on images from his black and white photography archives. This approach involves two axes: some of his productions in paintings that allude to photographs as references, but in a clandestine way, that is, they do not leave graphic traces in the pictorial compositions; and his photographic production as a work, which highlights frameworks of structural platitudes which formally report his paintings.

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Author Biography

Niura Aparecida Legramante Ribeiro, Universidade Federal do Rio Grande do Sul (UFRGS)

Doctor in History, Theory and Criticism of Art, from the Postgraduate Program in Visual Arts, at the Institute of Arts of the Federal University of Rio Grande do Sul, UFRGS. Completed a doctoral internship at Université Paris-I, Panthèon Sorbonne, with prof. Dr Michel Poivert; Master of Arts from the School of Communications and Arts of the University of São Paulo. Professor of History, Theory and Criticism of Art in the Postgraduate Program in Visual Arts and in the Department of Visual Arts/UFRGS. Currently, she is Deputy Coordinator of PPGAV/UFRGS. He is Deputy Leader of the CNPq Research Group, "Displacements in Photography in Art". Performs art curations, has research projects and publications with an emphasis on Photography and Visual Arts in modern and contemporary periods. Is a member of CBHA – Brazilian Committee of Art History, ABCA – Brazilian Association of Art Critics, and AICA – International Association of Art Critics.

References

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COSTA, Helouise; RODRIGUES, Renato. A fotografia moderna no Brasil. Rio de Janeiro: FUNARTE/IPHAN, 1995.

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GIANNOTTI, Marco. Breve história da pintura contemporânea. São Paulo: Claridade, 2009.

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REDDEKER, Lioba. “Making Of” – Ateliers et archives dans la dynamique de la producttion documentaire”. In: POINSOT, Jean-Marc (org). Les artistes contemporains et l’archive: Interrogation sur le sens du temps et de la mémoire à l'ère de la numérisation. Actes du Colloque, 7-8 décembre 2001, Saint-Jacques de la Lande. Rennes: Presses Universitaires de Rennes, 2004.

RIBEIRO, Niura Aparecida Legramante. Entre a lente e o pincel: interfaces de linguagens. 2013. Tese (Doutorado em Artes Visuais) – Instituto de Artes, Universidade Federal do Rio Grande do Sul, Porto Alegre, 2013.

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Published

30-06-2024

How to Cite

RIBEIRO, N. A. L. Marco Giannotti: Photography as a Clandestine Element in Painting. Art Research Journal: Revista de Pesquisa em Artes, [S. l.], v. 11, n. 1, 2024. DOI: 10.36025/arj.v11i1.34553. Disponível em: https://periodicos.ufrn.br/artresearchjournal/article/view/34553. Acesso em: 2 jul. 2024.

Issue

Vol. 11 No. 1 (2024): Multidisciplinary Perspectives in the Field of Art; Articles; Reviews

Section

Articles

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Copyright (c) 2024 Niura Aparecida Legramante Ribeiro (Autor)

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