Why did the saints of Zurbarán read?

Authors

DOI:

https://doi.org/10.21680/1981-1802.2023v61n67ID31627

Keywords:

Zurbarán, Virgin and Martyr Saints, Reading women, Portrait painting

Abstract

The article analyzes the iconography related to five saints who carry books in their images, treated as “reading saints”, which are part of the collection of pictures of eight virgin martyrs existing in the Museum of Fine Arts in Seville. On a specific plane, the representation of the saints with a book in their hands is problematized, which differs from the original iconographic image, the narrative of the life and miracles of each one. The methodological procedures refer to documentary research, whose main sources are concentrated in the five canvases of the collection, elaborated in the studio of the painter Francisco de Zurbarán, and in the dialogue with authors who write on the subject. It concludes with the hypothesis that by painting the image of the virgin martyrs carrying a book, Zurbarán intended to pass on a message to the women of encouragement to a life like that of the saints, but also warning of the possibility of reading the bible, hagiology and the permitted readings, that is, above all, inciting the idea that they were readers.

Downloads

Download data is not yet available.

Author Biographies

Maria Celi Chaves Vasconcelos, Universidade do Estado do Rio de Janeiro

É prof.ª Dr.ª da Universidade do Estado do Rio de Janeiro e do Programa de Pós-Graduação em Educação. Integra o Grupo de Pesquisa “História e Memória das Políticas Educacionais no Território Fluminense”.

Pablo Álvarez Domínguez, Universidade de Sevilha

É prof. Dr. da Universidad de Sevilla e do Departamento de Teoría e Historia de la Educación y pedagogía social. Integra o Grupo de Pesquisa “Historia, Memoria y Patrimonio de la Educación”.

References

DELENDA, Odile. Zurbarán. Los conjuntos y el obrador. Francisco de Zurbarán 1598-1664. Madrid: Fundación Arte Hispánico, 2010. (v. II)

NAVARRETE PIETRO, Benito. Catálogo. Santas de Zurbarán. Devoción y persuasión. Sevilha: LA IMPRENTA CG, 2013.

NAVARRETE PIETRO, Benito. Las santas de Zurbarán y el concepto de persuasión en el siglo XVII. In: JORNADAS DE HISTORIA DE FUENTE DE CANTOS. 350 aniversario de muerte de ZURBARÁN, 1598-1664, 2014. ACTAS XVI JORNADA DE HISTORIA DE FUENTE DE CANTOS, Asociación Cultural Lucerna/Sociedad Extremeña de Historia, Fuente de Cantos.

RÉAU, Louis. Iconografía del arte cristiano. Iconografía de los santos. De la A a la F. Barcelona: Ediciones del Serbal, 1997. (tomo 2, v. 3).

RÉAU, Louis. Iconografía del arte cristiano. Iconografía de los santos. De la G a la O. Barcelona: Ediciones del Serbal, 1997. (tomo 2, v. 4).

VALDIVIESO, Enrique. Prólogo. In: DELENDA, Odile. Zurbarán. Los conjuntos y el obrador. Francisco de Zurbarán 1598-1664. Madrid: Fundación Arte Hispánico, 2010. (v. II).

VINCENT-CASSY, Cécile. Francisco de Zurbarán y el retrato sacro: Las santas vírgenes y mártires del maestro y su taller, Tiempos modernos: Revista Electrónica de Historia Moderna, v. 8, n. 33, 2016) Disponívell em: https://dialnet.unirioja.es/servlet/articulo?codigo=5814246. Acesso em: 10 out. 2022.

VORÁGINE, Santiago de la. La leyenda dorada. Madrid: Alianza Editorial, 1982. (v. 1).

VORÁGINE, Santiago de la. La leyenda dorada. Madrid: Alianza Editorial, 1982. (v. 2).

Published

10-04-2023

How to Cite

Vasconcelos, M. C. C., & Álvarez Domínguez, P. (2023). Why did the saints of Zurbarán read?. Journal Education in Question, 61(67). https://doi.org/10.21680/1981-1802.2023v61n67ID31627