Vol. 1 No. 56 (2020)

View Vol. 1 No. 56 (2020)

DOI: https://doi.org/10.21680/2238-6009.2020v1n56

Published: 11-12-2020

Full Issue

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Editorial/Editorial

EDITORIAL

Juliana Gonçalves Melo, Julie Antoinette Cavignac, Carlos Guilherme Octaviano do Valle
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23674

Apresentação/Presentation

MOBILIDADES E FRONTEIRAS: PERSPECTIVAS ANTROPOLÓGICAS FEMINISTAS PARA UMA MIRADA INTERSECCIONAL

Angela Facundo Navia, Camila Esguerra Muelle, Natália Corazza Padovani
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23675

Dossiê/Dossier

AUTISM AND MIGRANT MOTHERHOOD: PSYCHOPATHOLOGIZING RELATIONS IN MOBILITY

Alexandre Branco Pereira
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23676
THE “DANGEROUS” AND “SUSPECT” PEOPLE AND THE “CRIMINALS” ON BRAZILIAN MIGRATION NORMS

Lucia Sestokas
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23677
CLEAVAGE AND HIJAB IN ETHNOGRAPHY FIELDNOTES WITH WOMEN FROM THE SYRIAN CONFLICT IN BRAZIL

Mirian Alves de Souza
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23678
ISADORA’S FREEDOM: AFFECTIVE CIRCUITS BETWEEN CRISES, POLICIES AND BORDERS

Jullyane Carvalho Ribeiro
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23679
“I WOULD HAVE SPENT MY LIFE IN PRISON WITH HER”: AFFECT AND AGENCY IN PASSAGES THROUGH A FEMALE PRISON IN MOROCCO

Nathalia Ferreira Gonçales, Montserrat Valle Prada
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23682
WOMEN TRAILS: MILD FOOTPRINTSAFTER THE EXPROPRIATION RHYTHM IN THE JEQUITINHONHA VALLEY CONTEXT

Roberta Alves Silva, Rafael Pereira Santos, André Rodrigo Rech
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23683
CORPOS EM CHOQUE NO “MUNDO”: SOBRE VIAGENS, FRONTEIRAS E OS DESAFIOS DO “ENTRE-LUGAR”

Telma de Sousa Bemerguy
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23684

Fluxo Contínuo/Continuous Flow

FROM THE FIELD OF THE VISIBLE AND INVISIBLE TO THE PERFORMANCE OF SPIRITUAL HEALING: AN ANALYTICAL ASSAY ON THE SERVICE OF A CABOCLO PAJE IN SANTARÉM/PA

Dárnisson Viana Silva
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23685
O REGENTE SEM ORQUESTRA: NOTAS DE UMA ETNOGRAFIA DA AUDIÇÃO

Tamara de Souza Campos
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23686
“THE TABLE IS MY STAGE”: PLAYERS AND DEALERS IN A PORTUGUESE CASINO

João Gomes
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23687
MISOGYNY AND GENDER STEREOTYPES IN THE CONSTRUCTION OF DILMA ROUSSEFF’S PUBLIC IMAGE

Elizabeth Christina de Andrade Lima
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23688

Prêmio/Award

COMPETING CATEGORIES: ACTIVIST MEDIA AND JUDICIAL STRUGGLES AND NARRATIVES AROUND A PUBLIC CASE

Ana Carolina Braga Azevedo
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23690

Ensaio Fotográfico/Photographic Essay

WOMEN IN ACTION: A PHOTO-AFFECTIVE CARTOGRAPHY OF WOMEN MOVEMENTS

Cecília Moreyra de Figueiredo
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23691

Pareceristas/Reviewers

PARECERISTAS DE 2020

Julie Antoinette Cavignac, Carlos Guilherme Octaviano do Valle, Juliana Gonçalves Melo
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DOI: https://doi.org/10.21680/2238-6009.2020v1n56ID23692